Tim Mara’s Prints from the 1970s are not simply renditions of retro imagery, but actual screenprints made from collages he put together at the time.

Ben Thomas’ photographs are not of dioramas peopled with hobby figurines. Those are real people in real settings.

Wang Xingwei’s paintings (like this one) are not all inspired by Giotto, but it comes as a surprise to note that the one that is has penguins and a panda.

Michael Murphenko’s identity might not be what it at first may seem. His painting above, Glasgow, provides an easy hint.

Bridget Riley’s work is not all leaf like movement with a pop sensibility, but her most recent pieces do hold a certain sway. SM

More at Art MoCo.